Simon Wills discusses commercialism, delinquency and orchestral performance practice in nineteenth-century London.

Ania Tomaszewska-Nelson explores the emotions of the post-humanist artist.

Alice Purton explores music making after experiencing an injury that halted her cello-playing career.

Join us and The F List at World Heart Beat Recording Studios for a day filled with insightful discussions on the music industry, creative technologies, and gender equality.

The second in the series of Creative Digital Cultures events, Professor Sarah Atkinson (King's College, London) chairs a selection of short talks, followed by a demonstration from Guildhall Production Studio’s current project opeRAVE. This event takes place at Target3D.

Performers, composers, actors, theatre makers, and cross-disciplinary creatives undertaking doctoral research at the Guildhall School of Music and Drama gather to present and discuss their work.

This panel discussion will reflect on the relevance of ‘artists as citizens’ within the context of specialist arts training and consider whether graduates are able, ready, and even willing to work as performers, producers, and creative collaborators in a range of cultural, educational, healthcare, and social justice settings.

Utkucan Eken will delve into the complexities of achieving harmony and symbiosis between the electronic and acoustic elements in his music.

Composer Sylvia Lim will explore the elusive nature of unstable sounds, contingency, and flexible forms.

Josh Mycroft considers the possible influence of visual feedback on mixing, discussing how it may alter a producers’ process and outcomes.