Tom Bosworth (Theatre Technology)

Biography

Guildhall Experience

Production Sound Engineer/Sound No.1, Great Expectations (Dir. Christian Burgess, Sound Des. Robert Matthews)
Production Sound Engineer/Sound No.1, The Crucible (Dir. Mike Alfreds, Sound Des. Sean Mortimer)
Mic Runner/Sound Crew, On the Twentieth Century, (Dir. Martin Connor, Sound Des. Russell Godwin for Gareth Owen Sound)
Props Assistant, On the Twentieth Century (Des. Adam Wiltshire)
Production Assistant, Go, Make You Ready, (Dirs. Patsy Rodenburg & Sue Lefton)
LX Programmer, Mountain Language/ One for the Road/ The New World Order (Dir. Jo McInnes, Lighting Des. Rory Beaton)
LX Programmer, Dealer’s Choice (Dir. Mike Alfreds, Lighting Des. Rory Beaton)
Production Sound Engineer/Sound No.1, Lulu (Dir. Christian Burgess, Sound Des. Erin Witton)
Sound Designer, The Secret Rapture (Dir. Steven Unwin, Des. Louis Carver)
Props Assistant, Ariane & Alexandre Bis, (Des. Simon Corder)

Professional Experience

Sound Dep, Aladdin, Disney Theatricals, The Prince Edward Theatre (Dir. Edward Hall, Sound Des. Matt McKenzie)
Sound Dep, Sunny Afternoon, Sonia Freidman Productions, The Harold Pinter Theatre (Dir. Casey Nicholaw, Sound Des. Ken Travis)
Technical ASM, Promises, Promises, Southwark Playhouse. (Dir. Bronagh Lagan)
Fit up/Strike crew, Various Productions, e-Stage Production
Mix Cover, The Price, W11 Opera, POSK Hammersmith

Other Training and Qualifications

IPAF Level 3a certificate, first aid at work, fire safety training, working at height

Skills

Good Digico programming knowledge, good audio editing skills across multiple DAWs, good Qlab programming skills, basic AutoCAD training, basic Eos programming knowledge, good construction and prop making skills

Areas of Interest

Freelance sound engineer with a wide range of skills and a passion for live performance, specifically